Here’s a 1975 interview with Eric Dolphy’s parents, Eric Sr and Sadie Dolphy. The interviewer is Alan Saul and he explains the circumstances of his meeting with the Dolphys on his website. The video is a nice document of these warm and supportive parents, their perspective on their son’s personality, his generosity, his commitment to his church, and his optimism.
There are also a few words about practicing:
12:30 Alan Saul: Do you have any ideas what he would advise people, or what advice he could possibly help people on?
Mrs Dolphy: I think he’d tell them to practice, because that’s all he did (laughs). He would get up in the morning before he went to school, say about 4:30 or 5, and practice until it’s almost time to get his breakfast and leave for school. And he’d hurry home to start practicing again, until very late in the evening….
13:19 Alan Saul: Did he mostly just practice scales and exercises?
Mrs Dolphy: Yes, and tone quality. He’d blow one note all day long.
Mr Dolphy: I seen him blow one note on the saxophone for weeks at a time. And I’d be out in the yard working, and I’d go in and say, “There’s no more keys on the saxophone but that one note?” And he’d play and he’d put it on his tape recorder, and he’d listen to it and say, “Dad, it’s got to be right.” And I’d say, “It sounds right to me,” and he’d say, “It’s not right yet.”
Much more Dolphy info at Saul’s website.
Scott Reeves and I have a new project together, a tentet featuring our original compositions and arrangements. Come on out to Sir D’s Lounge in Brooklyn and enjoy our music performed by Dave Pietro, Lance Bryant, Jay Brandford (saxes); John Bailey, Andy Gravish (trumpets); Mark Patterson, Scott Reeves (trombones); Roberta Piket (piano), Rusty Holloway (bass); Andy Watson (drums).
Sir D’s Lounge is at 837 Union Street, Brooklyn, in the same location as the old Tea Lounge in Park Slope. The club is presenting large ensemble jazz every Monday 8-11pm
Here’s a transcription of Pepper Adams‘ baritone sax solo on “Each Time I Think Of You” by Duke Pearson and Donald Byrd. It was recorded at Donald Byrd’s session in May of 1961 for the Blue Note album, “The Cat Walk.” It’s a high energy, happy tune and Pepper sounds like he’s enjoying the changes. Note that he takes two choruses while the other soloists each take one.
There’s lots to enjoy here. Pepper’s improvised lines flow effortlessly through the shifting tonalities of the tune, and his time and rhythmic momentum are SO strong. There is continuity, connectedness, yet also space to breathe (a difficult balance on the baritone sax).
I hope you enjoy playing along with Pepper’s solo as much as I do. For a link to a recording of the full performance and a lead sheet for the tune, go here.